![]() Although Verdi himself didn’t attend the premiere, he was disappointed that the audience consisted of mainly invited politicians and critics, and no members of the general public. The composer also demanded a hefty fee, payable on delivery of the score.Īida was first performed at Khedivial Opera House in Cairo, Egypt, on December 24, 1871. Verdi demanded complete control of the production, the right to pick his own librettist and singers, and the right to oversee the project from his home in Italy by sending his personal representative to manage the production, conduct it and direct it. When he eventually agreed, it was on his own terms, and he had plenty of them. Verdi wasn’t eager to tackle a big new project in a faraway country, and he hesitated. Seattle Opera presents Verdi’s Aida featuring design by the street and studio artist RETNA. But Pasha thought his theater also deserved a brand new work by Verdi, who was arguably the most famous opera composer in the world. It opened in 1869, with a performance of Verdi’s Rigoletto. Among his many dreams for the country was a new Cairo Opera House. The history of Aida goes back to Ismail Pasha, who became the Khedive of Egypt in 1863. While the opera is traditionally set in Northern Africa, SO’s production re-imagines the classic tale in a place outside of geography or time. ![]() Los Angeles graffiti artist RETNA created the scenic concept, which draws inspiration from Egyptian hieroglyphics as well as contemporary design. Aida runs May 5-19th for nine performances at McCaw Hall.įamed American director Francesca Zambello returns to Seattle Opera with this production of Aida, recently created for San Francisco Opera. ![]() By Giuseppe Verdi with an Italian libretto by Antonio Ghislanzoni. Seattle Opera presents Aida, an operatic roller coaster of emotions told through powerful music on a grand scale. ![]()
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